reading and writing and relation

Peter Sherburn-Zimmer




power — force — pressure — & — stress

linguistic from Derida to Lacan

to me to poetry to politician to Maria Muldaur

where does the line lead stop go push in its pressure

to the lyric

to the melody harmony tone

 

 

take note no not take get it

nothing is correct

nothing correctable

go on

you can’t say that

how come

it ain’t allowed

 

 

my turkey red bloomers

if you wait too long

he’ll be the man you never let come back

that’s where it leads

to the beginnings

and the absences

as they collide

outlast the morning

not telling

sex n politics n spirit

it’s all there here

poetry? what kind of poetry do you like? 

the poetry kind.